By Agence France-Presse
Nothing surprising for a Broadway show, except this is China.
The Tony award-winning musical “Kinky Boots” has broken new ground in the socially conservative nation.
The show has filled theatres in Beijing, Shanghai and Guangzhou, lighting up audiences in a country where LGBT-themed entertainment is often censored and rarely gets major – if any – billing.
It also has reached a broader audience than usual in China: “Kinky Boots” was the first musical to offer sign language interpreters for the hearing-impaired in the country.
“It’s very inspiring because for many years for me as a deaf person, subtitles were the only thing available in a theatre. But now I’ve got access to the whole show,” Junhui Yang says at a recent performance in Beijing.
Interpreters memorised the entire show and never looked back at the stage as they translated the musical for the deaf audience, matching the gestures of the rhythm of the music and the dance moves.
They hugged at the same time as the performers, made forlorn faces when a character’s heart was broken, and extended an inviting hand followed by a fist pump when the drag queens sang “everybody say yeah!”
“We really hope to make [shows] more accessible, to engage the deaf in various kinds of social settings and let them enjoy the same level of joy as I do,” interpreter Tang Wenyan says.
“Kinky Boots”, whose music and lyrics were written by pop veteran Cyndi Lauper, wraps up its two-month China tour on Sunday – a long run for a country where censors often frown upon gay entertainment.
China only decriminalised homosexuality in 1997, and withdrew it from its list of mental illnesses in 2001. Same-sex marriage remains illegal.
Gay-themed films struggle to make it into movie theatres, same-sex relationships are banned from television screens and gay content is forbidden on online streaming platforms.
Oscar-winning “Call Me by Your Name”, the story of a summer romance between two young men in Italy, was pulled from the Beijing International Film Festival in March.
Another film about a secret homosexual relationship, “Looking for Rohmer”, was heavily edited for Chinese movie theatres this year.
Online video service MangoTV cut out a gay-themed dance from its broadcast of the Eurovision contest in May. It also blurred out rainbow flags in the audience.
“Kinky Boots” tells the story of a shoe factory worker who saves the business from bankruptcy by teaming up with a drag queen named Lola who wanted red, thigh-high stiletto boots. Jianhao Lin, a fan who saw the musical seven times, went to the show dressed up in a skirt, heels and a wig and wearing makeup. He said a character like Lola who “dares to be herself despite misunderstanding or bias from others” makes it easy to accept even for people in a country who have not been exposed to transgender culture.
“The Kinky Boots crew members gave me energy and confidence. They even encouraged me to audition for the show in New York,” Lin said.
“They told me that nothing is impossible in this era, believe in yourself. More importantly, during this process, I came to realise how difficult life can be for a transgender and a drag queen,” Lin said.
‘Love and acceptance’
Away from the large theatre that hosted “Kinky Boots”, Chinese drag queens perform in dimly-lit local nightclubs where they do their makeup and hair themselves.
Chinese drag performer Charlie Van de Ho is among a handful of drag queens who put on a show every Wednesday night at a local club in a bustling Beijing bar street.
“Kinky Boots” can “bring something new” to the country, Charlie said. “Let people realise that things in the world are diverse, not that unitary.”