Glamorous in Gucci
High-end fashion house Gucci has been very much in evidence at the 70th annual Cannes Film Festival over the past week, with several stars showing off the Italian label’s designs on the red carpet and at other high-profile events.
Paul Dano wore a Gucci Pre-Fall 2017 navy and green plaid two-button notch lapel Monaco suit with a white dress shirt and brown leather lace-ups to the “Okja” photocall and while Naomie Harris looked cool in a Gucci multicolour silk chiffon plisse gown featuring a fitted bodice and full skirt to the “Ismael's Ghosts” screening and Opening Gala.
Charlotte Casiraghi dressed up in a black-and-nude silk Gucci tulle gown with multi-coloured floral embroidery and matched it with black leather high heel shoes and a black leather clutch with brass cat closure. Chris Lee donned a Prefall 2017-2018 dark blue-green madras wool single breasted peak lapel jacket with a pearl embroidered tiger head and sequin ribbon patches on the back, a light blue and lilac printed blouse, black velvet skirt with embroidered jewelled bows and floral patches and green boots with dragoon embroidery and crystal bows.
Alessandro Borghi dressed in a midnight blue evening wool mohair signoria tuxedo, evening white shirt, blue silk bow tie and black patent leather lace ups on the "Fortunata" red carpet.
Juliette Binoche wore Gucci Pre Fall 2017-18 a rose-and-white silk, crepe and wool long-sleeved gown with a black belt and a crystal-embroidered UFO patch on the front and sequin geometric embroideries on the cuffs to the Kering Dinner.
Salma Hayek Pinault wore a Gucci Fall/Winter 2018 black silk jersey dress with plisse skirt with an almond flower white collar bow and cuffs with pearl and crystal details to the Kering Talks Women in Motion event and Monica Bellucci was attired in a black short-sleeved tulle dress with moths, butterflies and insects embroideries, rainbow sequin stripes details on the sleeves and on the underskirt with black velvet matelasse broadway clutch for the 70th Anniversary Dinner.
