Oh, you know, it's 'Nobody'

Three South Korean women artists who have spent most of their lives outside the country are presenting visual “records” of their identities at a group exhibition at the Seoul Museum of Art.
Running until May 18, the exhibition “Nobody” features installations and photographs through which the artists express their quest to define their identities as Koreans living abroad. Other pieces deal with historical issues such as “comfort women”.
Having moved to the US with her parents in 1953, the year she was born, Min Yong-soon presents her life as an Asian-American through installations and photographs. In her photo series “Make Me”, portraits have phrases such as “assimilated alien” or “exotic migrant”. “It deals with phrases you have to understand in terms of living as an Asian-American,” Min says.
Her “comfort women” project seeks to raise awareness of the issue of Asian sex slaves for the Japanese military during World War II. Min began wearing a shirt with a year printed on it – one of the 79 years between 1932, when Japan established the first comfort station, and now. She aims to arouse curiosity about the meaning and if anyone asks her the intention, she explains.
Over the years she grew tired of wearing the clothes herself. She chose to produce T-shirts with the year printed on the front and a slogan on the back. The museum art shop sells the T-shirts and will donate the proceeds to the Korean Council for the Women Drafted for Sexual Slavery by Japan.
Jo Sook-jin chose to move to the US after college in search of more artistic opportunities. Based in New York, Jo finds her artistic inspiration all over the world. She collects discarded objects such as broken table legs, doors and frames and rearranges them to create art installations.
“People say each object has life and I like to give life and meaning to the abandoned objects. My inspiration comes from every part of the world - from Switzerland to Brazil,” Jo says. “I’m not trying to illustrate the divide between myself and the society I live in. I want to go beyond that and explore some fundamental meanings in my works.”
Korean-Canadian Yoon Jin-me, who immigrated to Canada when she was eight, is now a well-known contemporary artist there. Throughout her career she has explored her identity as a non-Western and female artist. Her video installation “As It is Becoming” explores how elements of nature, such as swamps and bushes, and the negative side of civilisation, such as wars and natural disasters, are experienced through her body.