
PARK HYUN-WOONG’S paintings look more appropriate for a child’s room than a
museum. They’re pretty. They depict candy, cute elephants and bears and
European castles that little girls dream about. This is why children’s hospitals and
the charity group Save the Children are among the major collectors of his works.
“Actually my paintings are intended for adults,” says Park. “Every adult has bits
of their childhood memories, like elephants they saw at a zoo or travels with
parents. My paintings are fairytales for adults.”
He creates a form of relief painting. More specifically, they’re sculptures adhering
to the flat surface of the canvas.
His works on display at the Sun Gallery in Seoul are based on childhood
memories, mingling with scenes that caught his eye while travelling alone in Spain
at age 40.
Spanish castles and the Swiss Alps provide a delightful backdrop for a red tram
carrying smiling purple bears that wear scarves, a big pink elephant and striped
candy. Random objects such as Scandinavian-style plates, short trees and
golden pathways express bits of his travelogue.
It’s the “ordinary” items in his paintings that pull viewers away from the hustle
and bustle of everyday life. They take them on a journey to places from their
dreams. Cars, trains and trams show up in many of his works, fanning the desire
to escape from the troubles of life.
“My work appeals to many senses with both visual and spatial imagery,” Park
writes in the exhibition catalogue. “The images from my memories and
recollections are taken from real objects and blended together, creating new
images. The small pieces represent our daily lives that make up a bigger
relationship.”
Park, who initially majored in metal design, says he switched to wood because he
felt limited in his artistic expression. He now uses hard white birch from Finland
and sculpts it into shapes that will constitute images in a painting. He then paints
the pieces and glues them to a flat, custom-made canvas. The wooden pieces
are piled in three to seven layers, making the artwork three-dimensional. With
features of both sculpture and painting in his work, not even Park is sure into
which genre he falls.
His paintings are in the collections of the country’s National Museum of Modern
and Contemporary Art and the Korea Land and Housing Corp.
“I hope my works can give hope and joy to those grieving over the tragic ferry
incident for a little while. I hope they can find comfort reminiscing about their
childhood,” he says.
His paintings are meant to hold viewers for a longer time. Park plants hidden
images such as pencils, hats and boats in his art. Those who find them win a set
of pencils.
The exhibition continues through May 20 at the Sun Gallery in Insa-dong, Seoul.