Asia has a winner!
The fourth edition of the Asia Plus Art contest showcases the talents of five young people
Sittiwut Yawichai was recently named the winner of the 4th Asia Plus Art Contest, taking home the “Most Outstanding Award” for his painting “The Great Nuisance No 11” as well as Bt150,000 in cash and a certificate.
“I’m so proud of this award and my artwork,” said a smiling Sittiwut after receiving his prize at Queen’s Gallery.
“It focuses on the emotional struggle of how to exist in the subconscious mind. I was inspired by the Buddhist biography, ‘The Great Nuisance’ and used a large wave to symbolise goodness washing over evil. The stained glass pieces reflect the overriding passion of the mind that brings happiness to life.
The late National Artist Thawan Duchanee, who passed away not long after the announcement of the awards, was also impressed.
“I have seen his evolution from drawing with pencil on a black-and-white background to the gold, black, silver and glass techniques he uses in this work. It’s an expression of his independence and signifies completeness of his concept and emotions.
Five other contestants were rewarded with an Excellency Award, Bt60,000 and a certificate. They were Pongsiri Kiddee for “Miracle of Beauty No 4”, Tanachote Sukkanta for “Small House”, Nureeya Waji for “That Event, I Feel…”, Niroj Jarungjitwittawas, “Mother’s Tales”, and Nodiana Behing for “Baan.”
“My ‘Miracle of Beauty’ reflects how the decay of historical architecture is hidden by its amazing beauty. I printed patterns, symbols and shapes repeatedly and overlaid then with a translucent colour combination,” Pongsiri explained.
Tanachote’s painting reflects the dreams of the poor for a better life, while Nureeya’s work reflects the political situation of her home province. “The batik technique portrays the suffering, happiness and sadness,” she said.
Niroj meanwhile draws on childhood memories. “I used to love one of my bedtime stories but when I read it again, I felt no excitement. Bedtime stories weren’t merely funny but were also infused with morality, goodness and beauty. I was lucky to grow up enveloped by my mother’s love and warmth.”
Nodiana also dwells on ancient architecture. “Western influences reign these days and that has had a bad effect on local architecture. My two-dimensional painting recognises the value of local architecture.”
