A tired old tale

Every other movie coming out of Hollywood these days is either a sequel or a reboot, and it seems that Chinese filmmakers are also fast running out of original ideas.
“Wu Kong”, which opened yesterday, is the fourth take on Sun Wu Kong, or the Monkey King, in as many years, after Huang Bo played the role in Stephen Chow’s “Journey To The West” (2013), Donnie Yen in “The Monkey King” (2014) and Aaron Kwok in “The Monkey King 2” (2016).
Taiwanese hunk Eddie Peng, 35, is the youngest of the lot to play the role and the casting is a natural fit, given the actor’s sunny vibe and playful charm.
Save for the facial hair and the prosthetic mask he puts on towards the end of the film, his portrayal is the least monkeylike – he does away completely with the usual headscratching and animal noises.
His version is more focused on the character’s internal struggle of being constantly watched and controlled by more powerful forces.

The actor looks like he is having fun with the role as he goofily pranks his way through the Heavenly courts, but it is a pity that he has such a terrible script to work with. Based on Jin Hezai’s Web novel “Wukong Biography”, this is described as a prequel to the classic 16th-century “Journey To The West” texts, which means that Wu Kong has yet to meet familiar characters such as Xuanzang, Zhu Bajie and Sha Wujing for their famous mission to retrieve Buddhist scriptures.
Instead, this over-stuffed tale has Wu Kong dealing with everything from a messy love triangle to serious identity issues.
No part of the story here makes any references to what viewers all know will come for the character later on.
As hard as writerdirector Derek Kwok (“Gallants”, 2010) has tried here to reintroduce an iconic literary character to younger audiences, this is one origins story that is entirely unnecessary.